In the immortal words of the country-and-western parody song “Wildwood Weed,” “All good things gotta come to an end”. Well, so, too, do these “Skeptic’s Collection” columns. So please consider this “Skeptic’s” column my personal Ave atque vale to you, my faithful regular readers and fellow-skeptics. (Both of you?) I began writing this column, believe it or not, 'way back in October of 2013 with “Oil, Water, and Marriage Equality” back when the column was called “Thoughtful Thursday”. Terri Stewart, who at that time I had only ever met on Facebook, admired my snarky sense of humor in some of my Facebook posts, and invited me to join the embryonic (at the time) set of contributing editors to her nascent Beguine blog. (It was also through Terri that I became acquainted with the folks
I freely admit that this "Skeptic's Collection" column is shamelessly self-indulgent. I wrote it about a year ago this coming Christmas, and it was one of the 2 or 3 most fun columns I have ever written in the five-plus years I have been Beguine's Skeptic-In-Residence. So, as a Christmas present to myself, I am republishing it here. Enjoy and merry Christmas!
OK! OK! So I am publishing the "stollen" column again, with minor emendations. Why? Because it was fun to write and to read. That's all!
I have good news and I have bad news.
The good news is that the week preceding Christmas Eve, my wife and I took the ferry up to Victoria, BC, where we had high tea at the venerable Empress Hotel.&nbs...
Every several years or so, perhaps every decade or so, a work of art captures my emotions and imagination, and sticks in my memory, even though it may be several years between viewings – assuming I ever see the original of the work at all. One such is Renoir’s Luncheon of the Boating Party; another is Rembrandt’s Slaughtered Ox; another, Picasso’s Guernica; still another, Edouard Manet’s The Old Musician. I have never seen the originals of the Rembrandt and the Picasso. I know them only from reproductions. But they haunt me. I recently discovered another such image while visiting the National Portrait Gallery in Washington, DC: Patricia Cronin’s Memorial to a Marriage (hereafter Memorial ).
Memorial is a bronze sculpture, cast from a marble original, depicting two women lovers,